Monthly Website Review - March 2008

Web Museum Paris
http://www.ibiblio.org/wm/paint/

The Web Museum Paris at http://www.ibiblio.org/wm/paint/ is a beautifully organized virtual collection of art work exhibits.  This website features an extensive glossary and artist index for both general interest browsing and research; opening a virtual door to art not otherwise seen without the benefit of an in-person stroll through the more traditional “bricks and mortar” museum.

The site is the product of a single, passionate art enthusiast that developed it “in the spirit of open information exchange,” and attributes its success to the many generous collaborators who contribute and edit its content.  While this may cause concern regarding the information's credibility; still, the information provides a general enough starting point from which to further explore using more conventional and authoritative resources.

Most entries include:

  • Artist biographical information
  • References to the art period or theme to which the artist is related
  • Images representing the artist's work
  • Links to additional sources

There is no charge to access the site and is absolutely worth the time to browse without the pressure of an imminent assignment.  Whether you are looking for a specific artist, theme, or art period, the Web Museum Paris website is a great place to start the journey.

Reviewed by Library Staff Member - Lucy Bellamy

 

 

Monthly Magazine Review - March 2008

Swindle Magazine

Title: Swindle
Publisher: New Traditionalists Industries
3111 Los Feliz Boulevard, Suite 100
Los Angeles, CA 90039
(323) 669-8819
Website: http://www.swindlemagazine.com
ISBN: 0-9791621-5-7
Published: Bi-Monthly
Subscription Rate: $50.00 per year U.S./$75.00 Canada

“More than just reporting on culture, SWINDLE influences it.  They believe in the humanization and personalization of design, and present all of their stories-luscious fashion spreads, artist profiles or social & political issues around the globe-with a cutting-edge aesthetic.”

Swindle is one of the definitive pop culture and lifestyle publications on the market today, bringing with it a definitive cutting-edge flavor of design.  Swindle describes itself as utilizing a wide range of illustrators, photographers and writers from around the world and delivers its content with an intellectual and unique perspective.  Swindle offers its back issues via its website.

Highlights of the magazine include the following:

  • The event section of its website features a variety of art, music, and fashion events around the country.
  • Its availability in hardcover and soft cover format.
  • A staff of accomplished contributors.
  • Candid and insightful portraits of current movers and shakers in design.
  • A snapshot of current trends amongst educated, city-dwelling young adults.

Pick up your copy today.

Reviewed by Library Staff Member - Tawny Sverdlin

 

 

Monthly Book Review - March 2008

Nation of Rebels: Why Counterculture Became Consumer Culture

Title: Nation of Rebels: Why Counterculture Became Consumer Culture
Author: Joseph Heath and Andrew Potter
Publisher: HarperCollins Publishers
10 East 53rd Street
New York, NY 10022
(212) 207-7000
Website: http://www.harpercollins.com
ISBN: 978-0060745868
Copyright: 2004
Pages: 346
Price: $14.95

For every trend, there is an equal and opposite cultural backlash. Eventually then that backlash becomes trendy.  Nation of Rebels: Why Counterculture Became Consumer Culture by Joseph Heath and Andrew Potter explores this pattern in 21st century American culture.

Citing examples culled straight from mainstream culture, like the movie “American Beauty” and the magazine Adbusters, the book demonstrates how and why the reaction against the popular became so hip in and of itself.  The appeal of being “different” leads Americans to act against trendy movements, be they art, music, or fashion.  However, the desire to buy into these “new,” “underground” or “different” ideas makes them just as marketable–if not more so–than those of the mainstream.

Because of this, the authors determine, counterculture isn't really “counter” at all, but rather just another target market.  Heath and Potter's main point is that counterculture loses its power as a social movement due to its status as a market sector.  However, despite the authors' intentions, a message of marketability shines through.  The subtext of the book reveals the market potential of the counterculture phenomenon.  With straight-forward text and familiar examples, Nation of Rebels is an easily-accessible read for anyone interested in psychographics, mainstream marketing, and patterns of social rebellion.

Reviewed by Library Staff Member - Rachel Clarke